To best meet the imperatives of your projects, we have put together a structure that is flexible, efficient, and competitive. Built around a number of specific technical resources, the visible part consists of 7 studios and auditoriums, offering a wide range of services, from sound effects to 5.1 mixing. These state-of-the-art facilities are complemented by a highly qualified and dynamic team, allowing to make the best use of these tools (Foley artists, sound editors / sound designers, mixers, etc.)
The Foley editor, or Foley artist, is a real performer as he records live onto the film image to recreate the sounds of movements and actions seen on the screen. We have a Foley auditorium equipped with a large number of accessories, different types of ground surfaces and a "pool"... As well as the skills to create sound effects tailored to your project.
Dubbing and voice-overs
In order to fully take on your projects, we offer tools (dub stages, rhythmo bands…) that fully comply with the requirements of the exercise. We offer multilingual dubbing and voice-overs for all types of programs and a wide choice of voices. Working with an extensive network of writers, actors and set directors, we attach great importance to choosing the right people to best meet your expectations, as to offer a perfectly suited adaptation to the project.
5.1 and stereo mixing
In the final stage of production, the mix will integrate each of the sounds created upstream (shooting, sound editing and sound effects) to give them consistency and readability. Initially technical, mixing is also an artistic phase that requires an attentive ear to the orientation given by the director. We offer you the tools and consideration to effectively answer these imperatives through stereo and 5.1 mix studios, and finalize soundtracks in all formats (TV, Film, Web, etc.)
Sound effects and sound design
Sound effects editing is the creative phase par excellence, and plays a major role in creating the backdrop of each scene. It therefore requires a unique sensitivity to the picture, an advised understanding of the context, and a clear interpretation of the director's wishes. Using large commercial abut also personal sound libraries, and specific tools to optimize this work, our sound editors have the necessary experience to efficiently conduct this delicate process.